Sans Normal Kudom 10 is a bold, normal width, low contrast, italic, short x-height font visually similar to 'FROG1812 Sans' by Frog1812, 'Bauen' by Tipo Pèpel, 'URW Grotesk' by URW Type Foundry, 'Azur' by Wiescher Design, 'Magnify' by XdCreative, and 'Coco Sharp' and 'Cocogoose Classic' by Zetafonts (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, sporty, dynamic, modern, confident, friendly, motion, impact, clarity, approachability, oblique, geometric, rounded, clean, open counters.
This is an oblique, sans typeface with a clean geometric construction and rounded curves. Strokes are smooth and evenly weighted, with open apertures and generous counters that keep the forms readable in motion. The slant is consistent across caps, lowercase, and figures, creating a forward-leaning rhythm without introducing calligraphic contrast. Uppercase letters are wide and stable with softened joins, while the lowercase stays compact in height and relies on simple, single-storey forms and rounded terminals for clarity. Numerals follow the same plainspoken, rounded geometry and align comfortably with the letterforms.
It works especially well for branding and display settings where an energetic, contemporary voice is needed—sports and lifestyle identities, promotional headlines, posters, and packaging. The clear, rounded shapes also suit short UI labels or signage where quick recognition matters, particularly when paired with ample spacing.
The overall tone is energetic and contemporary, with a purposeful, forward-leaning stance that feels active and performance-oriented. Its rounded geometry keeps it approachable rather than aggressive, making it feel sporty, efficient, and modern.
The design appears intended to deliver a modern, fast-moving sans voice that remains friendly and legible. By combining consistent obliquing with simple geometric forms and open counters, it aims for high impact in titles and branded messaging without relying on decorative details.
The design maintains a steady cadence across the set, with minimal stylistic quirks and a strong emphasis on smooth curves and clean diagonals. The italic angle is a primary personality driver, giving headlines a sense of speed and direction while keeping shapes familiar and straightforward.