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Free for Commercial Use

Sans Contrasted Unve 2 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Beatrice Deck', 'Beatrice Display', and 'Beatrice Headline' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logotypes, bold, playful, retro, graphic, punchy, display impact, distinctive texture, retro punch, brand voice, ball terminals, teardrop bowls, angular joins, soft corners, stenciled cuts.


Free for commercial use
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A heavy, poster-oriented sans with pronounced contrast created by sharp, wedge-like cuts and ink-trap-style notches rather than smooth modulation. Counters are generally large and round, while many joins and terminals are sculpted into teardrop or triangular forms that create a lively, chiseled texture. The lowercase shows single-storey a and g, compact apertures, and distinctive entry/exit shapes that give words a bouncy rhythm. Several characters feature intentional split strokes or cut-ins (notably in forms like Z and some numerals), adding a stencil-like, graphic edge while maintaining solid overall color.

Best suited to headlines, posters, and brand marks where the distinctive cut terminals and high-impact weight can be appreciated. It works well for packaging and promotional graphics that need a bold, characterful sans with a retro-graphic edge. In longer passages it will be most comfortable at larger sizes where the internal cuts remain crisp and intentional.

The tone is energetic and slightly mischievous, mixing friendly roundness with sharp incisions for a pop/retro display feel. It reads as attention-grabbing and modernist at a glance, but the quirky cuts and teardrop details add personality and a crafted, editorial punch.

The likely intention is a display sans that stands out through sculpted terminals and consistent cut-in details, producing contrast and personality without relying on serifs. It aims to deliver strong presence, memorable word shapes, and a dynamic texture for branding and editorial titling.

The design relies on consistent internal cut geometry to create contrast and sparkle at large sizes; those notches become key identifying features in text. Spacing and shapes feel optimized for impactful headlines where the sculpted counters and joins remain clear and expressive.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸