Slab Square Hysa 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'College Vista 34' by Casloop Studio; 'Gamarasa' by Differentialtype; 'Fox Ribbon' by Fox7; 'Esquina', 'Esquina Rounded', and 'Esquina Stencil' by Green Type; and 'Winner' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, sports branding, signage, packaging, collegiate, western, industrial, sturdy, assertive, impact, ruggedness, heritage, branding, octagonal, notched, blocky, bracketless, high-impact.
A heavy, block-constructed slab with squared stems, flat terminals, and prominent rectangular serifs. Many joins and corners are chamfered or clipped into octagonal silhouettes, producing a crisp, machined look with occasional notches and stepped details. Counters are compact and mostly squared, with tight apertures and strong internal negative shapes that keep the forms bold and dense. Uppercase letters are broad and architectural, while the lowercase follows the same rigid geometry, giving the face a consistent, monolithic rhythm suited to display sizing.
Best suited for bold headlines, posters, and branding that needs an immediate, high-impact presence. It also fits sports/collegiate identities, rugged product packaging, labels, and large-format signage where the angular slab details can remain visible.
The overall tone is bold and no-nonsense, evoking varsity lettering, old-west posters, and rugged signage. Its hard corners and compact counters create a confident, attention-grabbing voice that feels practical and tough rather than refined or delicate.
This design appears intended to deliver maximum presence with a rugged, constructed feel—combining slab-serif stability with clipped, square geometry for a distinctive display voice that reads quickly and carries strong character.
The numerals share the same clipped-corner construction, with strong, uniform stroke weight and clear slab endings that help them read as a cohesive set. Diagonals (e.g., in V, W, X) remain thick and angular, reinforcing the geometric, cut-block aesthetic across the alphabet.