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Free for Commercial Use

Stencil Geby 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Northpole' by 38-lineart, 'DT Meman' by DT Foundry, 'Bari Sans' by JCFonts, 'Monto Screen' by Lucas Tillian, 'Biwa' by Wordshape, and 'Paul Grotesk Stencil' by artill (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, utilitarian, military, mechanical, tactical, stencil marking, impact display, industrial voice, technical labeling, geometric, squared, chunky, condensed caps, high impact.


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A heavy, geometric sans with squared proportions and crisp, planar terminals. Stencil breaks are consistently engineered as straight cutouts—often vertical through bowls and counters, with additional notches in diagonals—creating clear bridges while keeping the silhouettes strong. Curves are broad and minimally modulated, and many forms lean on near-rectangular construction (notably in C/G/O-style rounds and the flat-topped E/F/T). Spacing and rhythm favor compact, blocky word shapes, producing an assertive texture at display sizes.

Well-suited for posters, headlines, and branding that needs an industrial or operational voice, as well as signage, wayfinding, and packaging where a stenciled aesthetic reinforces the message. It also fits labels and UI moments that mimic technical marking, provided sizes are large enough for the stencil gaps to stay clear.

The overall tone is industrial and no-nonsense, evoking stenciled labeling on equipment, shipping, and machinery. Its hard edges and systematic breaks suggest precision and regulation, with a tactical, utilitarian attitude that reads confident and durable rather than decorative.

The design appears intended to deliver a robust stencil look with modern, geometric construction—prioritizing strong silhouettes, clear bridges, and high-impact word shapes for display and marking-inspired typography.

The stencil logic remains visually consistent across uppercase, lowercase, and numerals, with breaks positioned to preserve recognizability in key joins and counters. The design’s strong black shapes and simplified details make it particularly attention-grabbing, while the internal cutouts add character and help prevent large areas from feeling overly solid.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸