Font Hero

Free for Commercial Use

Sans Superellipse Osbut 11 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'FF Clan' by FontFont, 'Allotrope' by Kostic, 'Antry Sans' by Mans Greback, 'Karibu' by ROHH, 'Amsi Pro' and 'Sans Beam' by Stawix, and 'Robusta' by Tilde (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, industrial, assertive, sports, condensed, utilitarian, space-saving, high impact, modern display, systematic geometry, blocky, compact, sturdy, high-impact, rectilinear.


Free for commercial use
Customize the font name

A heavy, compact sans with tall lowercase proportions and rounded-rectangle (superelliptic) curves throughout. Strokes are broadly uniform with squared terminals softened by consistent corner rounding, giving counters a boxy, engineered feel. The lowercase is built from simple, upright shapes with minimal modulation, while diagonals in letters like K, V, W, X, and Y are steep and tightly set, reinforcing a dense rhythm. Numerals follow the same robust, simplified construction, reading as solid, poster-forward forms.

Best suited to short, high-impact settings such as headlines, posters, product packaging, and bold brand marks where dense width and strong color are assets. It can also work for wayfinding or label-style signage when ample size and spacing are available to preserve clarity.

The overall tone is forceful and no-nonsense, with a contemporary industrial edge. Its condensed, blocklike silhouettes project urgency and strength, evoking sports branding, tactical signage, and high-energy headlines rather than delicate or literary settings.

The design appears intended to deliver maximum visual punch in limited horizontal space while maintaining a consistent, modular geometry. Its rounded-rectangle construction suggests a deliberate blend of friendliness and toughness aimed at modern display typography.

Round letters (C, O, Q, e) feel more like rounded rectangles than circles, and many joins and apertures are kept tight, which increases visual mass at text sizes. The dot on i/j is rectangular and the punctuation appears built from the same squared, compact geometry, supporting a cohesive, display-oriented system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸