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Free for Commercial Use

Sans Superellipse Fedir 2 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Newhouse DT' by DTP Types, 'Gibstone' by Eko Bimantara, 'Fester' by Fontfabric, 'ITC Avant Garde Gothic' by ITC, 'Neusa Neu' by Inhouse Type, 'Helsinki' by Ludwig Type, and 'Octagen Condensed' by deFharo (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, app headers, sporty, urgent, confident, modern, punchy, impact, speed, modernity, clarity, branding, slanted, compact, rounded corners, soft terminals, sturdy.


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A heavy, slanted sans with compact, superellipse-like curves and broadly rounded corners that keep counters open and shapes sturdy. Strokes stay largely uniform, with smooth joins and softened terminals that avoid sharp calligraphic contrast. The lowercase shows a tall x-height and short ascenders/descenders, creating a dense, headline-friendly texture, while the capitals read wide-shouldered and blocky. Numerals match the same robust, rounded-rectangle logic and sit confidently on the baseline.

Best suited for short, high-impact copy such as headlines, posters, and large-format messaging where its weight and slant can drive attention. It also works well for sporty branding, packaging callouts, and UI or editorial headers that need a compact, forceful typographic voice.

The overall tone is energetic and assertive, with a forward-leaning momentum that feels sporty and performance-oriented. Its blunt, rounded forms add approachability while still projecting strength and immediacy, making the voice feel confident rather than delicate.

The design appears intended to deliver maximum impact with a fast, forward motion while preserving clarity through open counters and simplified, rounded geometry. It aims for a contemporary, utilitarian bold-italic look that feels engineered and energetic.

The rhythm is tight and cohesive, with consistent curvature across rounds and diagonals that emphasizes a streamlined, engineered look. The italic angle is noticeable without becoming cursive, keeping letterforms firmly in a sans structure and maintaining strong word-shape at display sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
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10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸