Solid Gure 2 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: logos, posters, headlines, album covers, game titles, futuristic, playful, dramatic, edgy, retro, attention grabbing, logo display, stylized geometry, graphic impact, geometric, angular, faceted, stencil-like, spiky.
A heavy, geometric display face built from bold silhouettes with frequent triangular cut-ins and wedge-shaped terminals. Curves are simplified into broad arcs, while many joins and diagonals resolve into sharp points, creating a faceted, almost carved look. Counters are often reduced to slits, notches, or small punched shapes, giving the alphabet a solid, compact interior rhythm. Widths vary noticeably across letters, and the overall spacing and forms feel intentionally irregular while staying consistent in the recurring wedge and notch motif.
Best suited for short display settings where its sculpted shapes can read clearly—logos, poster headlines, packaging accents, entertainment and game titles, and bold branding statements. It works well when paired with a simpler companion for body copy, using this face for emphasis and identity moments.
The font reads as assertive and theatrical, mixing a sci‑fi edge with a mischievous, graphic punch. Its sharp incisions and chunky massing create a sense of energy and tension, like cut paper, carved stone, or stylized signage. The overall tone is bold and attention-seeking rather than refined or text-oriented.
The design appears intended to turn familiar letterforms into bold pictographic shapes by collapsing counters and introducing repeated wedge cuts. This creates a cohesive, high-impact visual system that feels engineered for standout display typography rather than neutral reading text.
Many characters feature distinctive internal cutouts (for example in O/Q/0/8) and angular bites in bowls and shoulders, which can reduce legibility at smaller sizes but strengthens the logo-like impact at display sizes. Numerals and capitals especially emphasize the carved, emblematic feel through simplified forms and dramatic triangular angles.