Sans Superellipse Imbar 9 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Gemsbuck 01' by Studio Fat Cat, 'Beachwood' by Swell Type, and 'Nulshock' and 'Sui Generis' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, tech, assertive, dynamic, futuristic, impact, speed, modern branding, display clarity, brand voice, oblique, extended, rounded, chunky, squared.
A heavy, oblique sans with extended proportions and a compact, squared-round construction. Curves resolve into rounded-rectangle counters and terminals, giving letters like O, D, and e a superelliptical feel rather than true circles. Strokes are monolinear in impression, with broad joins and consistently softened corners that keep the dense weight from feeling sharp. The lowercase is large relative to the caps, with closed, sturdy apertures and short, flat crossbars; numerals follow the same blocky, streamlined logic for a cohesive headline rhythm.
Best suited to display settings where mass and slant can do the work—headlines, posters, promotional graphics, and bold brand marks. It also fits sports and motorsport identities, product packaging, and attention-grabbing UI elements such as hero banners or section titles, where its compact counters and broad forms remain punchy.
The overall tone is fast, confident, and modern, evoking motorsport and athletic branding alongside tech-forward UI styling. Its slanted stance and compressed counters add urgency and impact, reading as energetic and forceful rather than neutral. The rounded-square geometry keeps the mood contemporary and engineered, with a subtle retro-futurist edge.
This design appears aimed at delivering maximum visual impact with a streamlined, aerodynamic silhouette. The intent reads as a contemporary display sans that balances aggressive forward motion with softened geometry, creating a strong, brandable voice that stays cohesive across letters and numerals.
Spacing appears designed for display impact: letterforms are broad and compact internally, which can make small sizes feel dense, while larger sizes emphasize the smooth, machined silhouettes. Diagonals and angled terminals contribute to a forward-leaning rhythm, and the consistent corner rounding helps long lines of text retain a uniform texture.