Sans Superellipse Dobuz 10 is a regular weight, narrow, monoline, upright, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type, 'Geogrotesque Condensed Series' by Emtype Foundry, 'Hype vol 3' by Positype, 'Ddt' by Typodermic, 'URW Dock Condensed' by URW Type Foundry, and 'Althawra Fikra' by syria arabic (names referenced only for comparison).
Keywords: ui labels, wayfinding, packaging, posters, branding, modern, utilitarian, clean, technical, friendly, space saving, modern clarity, system consistency, approachable tech, rounded, condensed, geometric, boxy, soft-cornered.
A condensed, monoline sans built from rounded-rectangle geometry, with corners consistently softened and bowls tending toward superellipse shapes. Strokes are even and smooth, with squared terminals that are lightly rounded rather than sharp. Counters are relatively open for the width, and curves transition into straights in a controlled, engineered way, giving letters a boxy-yet-soft silhouette. The rhythm is orderly and vertical, with compact widths, stable baselines, and clear separation between straight stems and rounded joins.
This font performs well in interface text, signage, and labels where compact width and consistent stroke color help fit information into tight spaces. It also suits contemporary branding and packaging that want a clean, engineered look with softened edges, and it can scale to larger sizes for headlines and posters without losing its disciplined structure.
The overall tone is modern and pragmatic, balancing a technical, industrial feel with approachable softness from the rounded corners. It reads as contemporary and system-like rather than expressive, suited to straightforward messaging while still feeling mildly friendly and refined.
The design appears intended to provide a compact, highly consistent sans with a rounded-rectangular construction that feels modern and functional. Its softened corners and controlled geometry suggest an emphasis on clarity and a cohesive, modular visual system across letters and numerals.
Round forms like C, O, and G show a squared-off curvature that reinforces a modular, UI-oriented aesthetic. Numerals follow the same softened-rectilinear logic, keeping a consistent color and texture in mixed alphanumeric settings.