Sans Superellipse Oklep 1 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka and 'Boxed' and 'Boxed Round' by Tipo Pèpel (names referenced only for comparison).
Keywords: ui text, app design, wayfinding, branding, packaging, modern, clean, friendly, techy, neutral, clarity, approachability, interface use, geometric identity, modern branding, rounded, soft corners, uniform, geometric, open counters.
A rounded geometric sans with a superellipse construction: curves resolve into softly squared bowls and terminals, and corners are consistently radiused. Strokes are monolinear with smooth joins and stable proportions, producing an even color across text. Apertures are relatively open (notably in C, S, e, and c), while round letters like O and 0 read as rounded-rect forms. Lowercase forms are straightforward and contemporary, with a single-storey a and g, compact shoulders, and simple, rounded-ended punctuation-like details in i and j.
This face suits UI labels, dashboards, and product interfaces where consistent stroke weight and open shapes support quick scanning. It also works well for contemporary branding, packaging, and signage, especially when a rounded, friendly geometric look is desired. Larger sizes highlight the superellipse character for headlines and logos, while paragraph settings remain orderly and readable.
The overall tone is contemporary and approachable, balancing a utilitarian clarity with a mild softness from the rounded geometry. It feels at home in digital interfaces and product branding where a calm, modern voice is needed without becoming cold or overly technical.
The design appears intended to deliver a modern, system-friendly sans with a distinctive superelliptical geometry, combining neutrality with softened corners for approachability. It prioritizes uniformity, clean rhythm, and clear character silhouettes for everyday communication in digital and branded contexts.
The superelliptical rounds give a distinctive, slightly “squared” rhythm compared to purely circular geometric sans designs, helping maintain structure at larger sizes. Figures appear designed for clarity, with the 0 matching the rounded-rect logic of the caps, and overall spacing reading comfortable in continuous text.