Sans Superellipse Agrer 11 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'Gala' by Canada Type and 'Abraham' by Sabrcreative (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, industrial, condensed, retro, utilitarian, urban, space saving, high impact, geometric consistency, signage clarity, rounded, blocky, tall, compact, soft corners.
A condensed, monoline sans built from rounded-rectangle geometry, with consistently softened corners and mostly straight-sided counters. Strokes are heavy and even, producing a strong vertical rhythm and compact word shapes. Curves are minimized into superelliptic bowls and squared-off terminals, giving letters like C, G, O, and S a rectangular roundness rather than a true circular feel. The lowercase maintains a simple, sturdy structure with minimal modulation and clear, upright forms, while numerals follow the same tall, compact proportions and blunt, rounded endings.
Best suited to short-to-medium display settings where its condensed density and rounded-square construction can create impact: headlines, posters, branding marks, packaging labels, wayfinding, and storefront-style signage. It can also work for tight UI labels or dashboard-style typography when a compact, assertive voice is desired.
The overall tone is functional and mechanical, with a slightly retro, sign-paint and display feel created by the tall narrow proportions and rounded-square construction. It reads confident and no-nonsense, balancing friendliness from the softened corners with an industrial, engineered personality.
The design appears intended to deliver a space-saving, high-impact sans that stays visually consistent through a strict rounded-rectangle construction. Its goal is to provide a strong, modern-utility look that remains approachable through softened corners and simplified forms.
The family’s visual identity comes from its consistent corner radii and squared counters, which keep even complex shapes looking compact and controlled. Wide apertures are reduced, and many forms feel almost stencil-like in their economy, emphasizing rhythm and density over delicacy.