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Sans Superellipse Agniw 7 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'Frontage Condensed' by Juri Zaech, 'Hillstown' by Letterhend, 'Adoner' by Marvadesign, 'Kal08' by Solokarir, and 'Libel Suit' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, labels, condensed, industrial, retro, utilitarian, poster-ready, space saving, high impact, systematic geometry, modernist clarity, rounded corners, flat terminals, tall x-height, closed apertures, compact spacing.


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A condensed sans with a tall, compact build and consistent stroke thickness. Letterforms lean on rounded-rectangle geometry: corners are softened, curves feel superelliptical, and many joins resolve into flat, squared terminals with small radii. Counters are relatively tight and apertures tend to be closed, giving the font a dense, efficient texture. Uppercase forms are narrow and vertical; lowercase has a sturdy, simplified construction with single-storey shapes where visible (notably the a and g). Numerals are equally compact, with squared-off curves and strong vertical rhythm.

This font suits short-to-medium text in space-constrained layouts such as headlines, posters, packaging fronts, labels, and signage systems where vertical economy matters. It also works well for UI/infographic elements that need a compact, consistent rhythm, especially at larger sizes where the rounded-rectangle detailing is most apparent.

The overall tone is pragmatic and no-nonsense, with a slightly retro, industrial flavor reminiscent of labeling, wayfinding, and engineered product typography. Its condensed, blocky presence reads assertive and space-saving rather than friendly or delicate.

The design appears intended to maximize legibility and impact in narrow widths by using simplified, monoline constructions and superelliptical rounding. It prioritizes strong vertical rhythm and compact counters to deliver an efficient, engineered look suited to display and informational applications.

The punctuation and dots appear small and crisp, reinforcing a controlled, technical feel. Round letters like O, C, and G read as rounded rectangles rather than circles, and diagonals (V/W/X/Y) are tight and steep to maintain the narrow footprint.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸