Sans Normal Lylul 13 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Gezart' by Ani Dimitrova, 'Mirai' by GT&CANARY, 'Malva' by Harbor Type, 'Halifax' by Hoftype, 'Neue Reman Sans' by Propertype, and 'Bartosh' by jpFonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, punchy, friendly, playful, confident, impact, motion, approachability, display emphasis, brand energy, slanted, rounded, soft corners, compact, heavy.
A very heavy, right-slanted sans with rounded, compact forms and smooth, low-contrast strokes. Counters are generally generous for the weight, while terminals are blunt and slightly softened, keeping edges from feeling sharp. The slant is consistent across capitals, lowercase, and figures, giving the face a continuous forward motion. Overall spacing feels sturdy and somewhat tight, with a dense texture that holds together well at larger sizes.
Best suited for big, attention-grabbing typography such as headlines, posters, and promotional graphics where its heavy weight and slant can project energy. It can also work well for sporty branding, packaging callouts, and logo wordmarks that benefit from a bold, friendly impact. For longer text, it is more effective in short bursts—tags, subheads, and emphasis—than in extended reading.
The font reads as energetic and assertive, with a sporty, headline-driven character. Its rounded mass and steady italic angle add approachability, keeping the bold voice from turning harsh. The overall tone suggests motion, impact, and a casual confidence.
The design appears intended to deliver maximum impact with a dynamic, forward-leaning stance, while preserving friendliness through rounded geometry and soft terminals. It prioritizes strong silhouette recognition and high visual momentum for display-led applications.
The numeral set matches the letterforms’ rounded, weighty construction and maintains the same forward lean, supporting cohesive mixed-type settings. Uppercase shapes are broad and simplified, while lowercase forms keep a lively, slightly chunky rhythm that emphasizes momentum and presence.