Sans Superellipse Hagut 8 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Military Jr34' by Casloop Studio, 'Air Force' by Indian Summer Studio, 'Charles Wright' by K-Type, and 'B52' by Komet & Flicker (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, ui, techy, futuristic, industrial, sporty, utilitarian, modernization, clarity, systematic design, impact, squared, rounded corners, geometric, compact, sturdy.
A compact geometric sans built from squared, superellipse-like forms with consistently rounded corners and uniform stroke weight. Curves resolve into soft rectangles rather than circles, giving counters and bowls a boxy, engineered feel. Terminals are clean and blunt, with minimal modulation and a tight, efficient rhythm that keeps shapes crisp even at large display sizes. Figures and capitals lean on straight-sided construction, while lowercase remains equally structured, reinforcing an overall grid-like, machined consistency.
Works best for short-to-medium text in headlines, logos, packaging, and promotional graphics where a modern, technical voice is desired. It also suits interface labels, dashboards, and wayfinding-style signage thanks to its simplified geometry and strong, high-contrast silhouette.
The overall tone feels technical and forward-leaning, with a contemporary, device-interface vibe. Its squared rounds and firm, blocky presence suggest precision and performance rather than warmth or calligraphy.
The design appears aimed at delivering a contemporary, system-like aesthetic built on rounded-rectangle geometry, prioritizing solidity and consistency across the character set. Its construction suggests an intention to feel engineered and legible in display and interface contexts.
Wide apertures and simplified joins emphasize clarity, while the rounded-rectangle logic creates a distinctive silhouette in letters like C, G, O, and S. The numerals match the same squared curvature, producing a cohesive alphanumeric set that reads as intentionally engineered and modern.