Sans Superellipse Haday 1 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Muller' by Fontfabric, 'Allotrope' by Kostic, 'RBNo3.1' by René Bieder, 'Sans Beam' by Stawix, and 'Obvia Wide' by Typefolio (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, modern, friendly, confident, utilitarian, tech, impact, clarity, approachability, system consistency, modern branding, rounded, compact, blocky, soft corners, high impact.
A heavy, rounded sans with superelliptical geometry: counters and bowls read as rounded rectangles, and corners are consistently softened rather than perfectly circular. Strokes are monolinear with sturdy joins and flat terminals, producing a dense, poster-ready texture. Proportions feel broad and stable, with generous interior space in letters like O, D, and P, and a compact, efficient rhythm in the lowercase. The lowercase a is single-storey and the g is single-storey with an open, sweeping tail; the t has a short, squared crossbar, and the overall construction favors simple, robust forms with minimal modulation.
Best suited to display roles where weight and rounded geometry can carry impact—headlines, identity systems, packaging, UI marketing pages, and bold signage. The strong, simple letterforms also work well for short bursts of text such as labels, calls to action, and product naming.
The font projects a contemporary, approachable strength—clean and functional, but softened by rounded corners and roomy counters. It feels confident and straightforward, with a slightly tech-forward, product-oriented tone rather than a classic or editorial one.
The design appears intended to deliver maximum clarity and presence through sturdy, simplified forms, while using rounded superellipse construction to keep the tone friendly and contemporary. It prioritizes consistency of curvature and corner treatment to create a cohesive, system-like look across letters and numbers.
Numerals are wide and sturdy with consistent stroke weight; curves and diagonals (notably 2, 3, 5, and 7) keep the same rounded-rectangle logic as the letters. The shapes maintain a uniform corner radius across the set, which helps the alphabet feel cohesive and manufactured.