Sans Superellipse Fyreb 2 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Whitney' by Hoefler & Co.; 'Cantiga' by Isaco Type; 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype; 'PTL Minimala' by Primetype; 'Scansky' by Satori TF; and 'LFT Etica' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, assertive, energetic, modern, punchy, impact, momentum, modernity, approachability, clarity, rounded, soft corners, oblique, compact, geometric.
A heavy, rounded sans with an emphatic oblique slant and smooth, superelliptical shaping. Curves are broad and full, terminals are clean and softly squared, and counters stay open enough to remain readable at display sizes. The rhythm is tightly packed and consistent, with sturdy verticals and simplified joins that keep the overall silhouette bold and unified. Numerals and capitals share the same robust, streamlined construction, while the lowercase introduces friendly, rounded bowls and compact apertures.
Best suited to short-to-medium display text where boldness and motion matter—headlines, posters, and attention-grabbing campaign lines. It can also work well in branding systems that want a sporty, modern voice, such as active lifestyle, events, retail promotions, and packaging where strong silhouettes carry at a distance.
The overall tone is confident and high-impact, with a forward-leaning stance that feels active and urgent. Rounded geometry softens the weight, adding approachability while keeping the voice loud and headline-ready. It reads as contemporary and sporty, suited to messaging that needs immediacy and presence.
The design appears intended to deliver maximum impact with a contemporary, rounded geometric feel, using an oblique stance to imply speed and momentum. Its simplified construction and soft-cornered shapes suggest a focus on clarity in large sizes and strong visual personality for branding and display settings.
The italics feel engineered rather than calligraphic, with uniform stroke behavior and a deliberate, consistent slant. Wide curves on letters like C/O/S contrast with flatter, blockier shapes on E/F/T, creating a lively mix of round and squared forms without breaking cohesion.