Sans Other Renur 3 is a very bold, very narrow, monoline, upright, normal x-height font.
Keywords: posters, headlines, logotypes, album art, packaging, gothic, medieval, industrial, aggressive, dramatic, modern blackletter, compact impact, graphic texture, heritage edge, angular, faceted, chiseled, condensed, blackletter-inspired.
A condensed, high-contrast-in-shape display face built from straight, monoline strokes and hard angles. Letterforms are tall and vertically oriented, with faceted terminals, beveled corners, and frequent diagonal cuts that create a sharp, chiseled silhouette. Curves are minimized and when present are rendered as polygonal arcs; counters are tight and often rectangular, reinforcing a rigid, architectural rhythm. The overall spacing and rhythm favor strong vertical stems and compact internal space, producing a dense, punchy texture in text settings.
Best suited to short, high-impact settings such as posters, mastheads, merchandise graphics, and branding marks that want a gothic or industrial bite. It can work for brief lines of display copy and titling, particularly at medium-to-large sizes where the angular cuts and tight counters remain clear.
The font projects a dark, assertive tone with clear blackletter and poster-gothic cues, evoking tradition, authority, and intensity. Its sharp geometry and compressed proportions add a modern, industrial edge, making the voice feel both historic and confrontational.
This design appears intended to translate blackletter energy into a simplified, monoline, geometric construction that reads quickly while keeping a distinctive medieval flavor. The narrow build and faceted terminals prioritize visual punch and compact headline setting over neutrality.
Capitals are especially monolithic and emblematic, while lowercase maintains the same angular construction for consistent texture. Numerals and punctuation follow the same faceted logic, supporting headline use where impact matters more than long-form comfort.