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Free for Commercial Use

Sans Superellipse Embus 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Gilam' by Fontfabric, 'Scansky' by Satori TF, 'Dalle' by Stawix, and 'Juhl' and 'NuOrder' by The Northern Block (names referenced only for comparison).

Keywords: ui, branding, signage, headlines, infographics, modern, clean, efficient, technical, sporty, modernize, streamline, add motion, improve clarity, oblique, rounded, monoline, geometric, crisp.


Free for commercial use
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This is an oblique, monoline sans with a geometric backbone and rounded, superellipse-like curves. Strokes stay even and clean, with smooth joins and gently softened corners that keep the forms friendly without becoming bubbly. The proportions are balanced with a moderate x-height, open counters, and straightforward construction in both cases; the italics feel like a consistent slant rather than a calligraphic rewrite. Numerals follow the same restrained geometry, reading clear and stable alongside the letters.

It suits interface typography, dashboards, and product experiences where a modern, unobtrusive voice is needed. The slanted stance also works well for brand wordmarks, event or sports-adjacent graphics, and directional signage, and it can carry concise editorial headlines or infographic labels with a neat, contemporary finish.

The overall tone is contemporary and purposeful, combining a streamlined, engineered feel with mild approachability from the rounded shaping. Its steady rhythm and controlled slant give it a sense of motion and efficiency that can read sporty or tech-forward without looking aggressive.

The design appears intended to deliver a modern oblique sans that feels fast and current while remaining neutral and highly legible. The rounded-rectangle geometry suggests a focus on consistency across glyphs and a clean, system-friendly texture in real text.

In the text sample, the oblique angle remains disciplined and uniform across letterforms, helping long lines hold together cleanly. Round letters keep generous interior space, while diagonals and terminals stay crisp, supporting clarity at larger display sizes as well as in short passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸