Sans Normal Adnos 22 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'FS Lucas' and 'FS Lucas Paneureopean' by Fontsmith and 'Carnero' by Monotype (names referenced only for comparison).
Keywords: ui text, tech branding, editorial, wayfinding, presentations, clean, modern, neutral, technical, efficient, clarity, utility, modernity, emphasis-ready, systematic design, oblique, geometric, monoline, open apertures, rounded terminals.
A clean oblique sans with predominantly geometric construction and smooth, continuous curves. Strokes read as largely monoline with minimal contrast, and joins are crisp without calligraphic modulation. Round letters are broadly circular, counters are open, and terminals are mostly squared or gently rounded rather than tapered. Proportions feel balanced with a straightforward cap structure and a moderately tall lowercase that stays clear and uncluttered. Numerals follow the same steady rhythm, with simple, readable forms and consistent stroke behavior across the set.
Well suited to interface typography, dashboards, and product materials where a clean, slanted sans can add motion while keeping an even, readable texture. It can also work in contemporary editorial layouts, presentations, and signage systems that benefit from a straightforward, modern voice. The oblique stance makes it especially effective for emphasis and short to medium-length text settings.
The overall tone is contemporary and matter-of-fact, with a calm, utilitarian personality. The consistent slant adds forward motion and a mild sense of dynamism without becoming expressive or informal. It feels engineered and clear, prioritizing legibility and even texture over decorative character.
The design appears intended as a practical, modern oblique sans that delivers consistent rhythm and clear letterforms. Its geometric foundation and restrained detailing suggest a focus on versatility across digital and print contexts, providing a dependable tone with a subtle forward-leaning energy.
The italic angle is uniform across capitals, lowercase, and figures, producing a cohesive diagonal text flow. Curves look smooth and controlled, while straight strokes remain firm and stable, yielding an even typographic color in lines of text. Lettershapes favor clarity—especially in rounded forms and open counters—making the design feel practical and restrained.