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Free for Commercial Use

Sans Superellipse Omgem 5 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Neuron Angled' by Corradine Fonts, 'Mercurial' by Grype, 'Nusara' by Locomotype, 'Cachet' by Monotype, 'Movida' by ROHH, and 'Lintel' by The Northern Block (names referenced only for comparison).

Keywords: ui text, app design, product branding, signage, presentation, modern, neutral, technical, clean, approachable, ui clarity, geometric rigor, friendly modernity, system consistency, tech branding, geometric, rounded corners, squared rounds, compact bowls, open apertures.


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A geometric sans with superelliptic construction: round characters are built from rounded-rectangle bowls and corners rather than perfect circles. Strokes are even and steady, with a compact, controlled feel and minimal contrast. Terminals are mostly blunt and squared-off, while curves transition through soft corners, producing a crisp but friendly rhythm. Counters are moderately tight in letters like B, P, R, and e, and apertures in C, c, and S stay fairly open. Figures are straightforward and functional, with simple, modern shapes (notably the rounded 0 and the clean, angled 7).

Works well for UI labels, navigation, and dashboards where steady stroke weight and clear geometry aid quick scanning. Its squared-rounded personality also suits tech-forward branding, packaging systems, and wayfinding or signage that benefits from a sturdy, modern voice. In editorial or presentation settings, it performs best for short blocks, callouts, and headings where its compact counters stay crisp.

The overall tone is contemporary and composed—clean enough for interface work, but softened by rounded corners that keep it from feeling cold. It reads as pragmatic and technical, with a subtle friendliness that suits modern product and brand environments.

Designed to deliver a modern geometric sans built from superelliptic shapes—balancing strict, engineered structure with softened corners for approachability. The aim appears to be clarity and consistency across uppercase, lowercase, and numerals while maintaining a distinctive squared-round signature.

Uppercase forms are broad and stable, while lowercase keeps a sturdy, compact texture; the single-storey a and g add an informal, contemporary flavor. The lowercase t is short and blocky, and the i/j dots are square, reinforcing the squared-round motif. Diagonals in K, V, W, X, and Y are crisp and consistent, helping headings maintain clear structure at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸