Sans Superellipse Gagew 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Artegra Sans' by Artegra, 'Level' by District, 'Muller' and 'Muller Next' by Fontfabric, 'Neue Reman Sans' by Propertype, 'Core Sans N' and 'Core Sans NR' by S-Core, and 'Amsi Pro' and 'Amsi Pro AKS' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, punchy, confident, retro, energetic, impact, speed, approachability, display clarity, brand presence, oblique, rounded, compact, blunt, ink-trapless.
A heavy, oblique sans with rounded-rectangle (superellipse) construction and soft corners throughout. The strokes are thick and even with minimal modulation, producing dense, compact counters and strong silhouettes. Curves are smooth and slightly flattened at their extremes, while terminals tend to be blunt and rounded rather than sharply cut. Overall spacing reads sturdy and tight, emphasizing mass and forward motion in both the uppercase and lowercase.
Best suited for display settings where impact is the priority: headlines, posters, brand marks, and promotional graphics. It also fits sports and fitness branding, product packaging, and bold UI moments like banners or hero text where a compact, forward-leaning voice helps drive emphasis.
The overall tone is assertive and energetic, with a sporty, poster-like presence. Its rounded geometry keeps the weight feeling friendly rather than harsh, while the pronounced slant adds speed and urgency. The result feels bold, commercial, and slightly retro in a way that suits attention-grabbing headlines.
This design appears intended to deliver maximum punch with a streamlined, modernized rounded geometry. The goal seems to be a bold, fast, approachable display voice—combining strong block-like forms with softened corners to keep the tone friendly while remaining highly attention-driven.
The numerals and caps carry a uniform, blocky rhythm that stays consistent across the set, with round letters appearing more squarish than circular. Lowercase forms remain robust and simplified, maintaining legibility through large shapes rather than delicate detail. The italics are built into the structure (not merely slanted), giving the design a cohesive, engineered lean.