Slab Contrasted Ulnu 8 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Diverda Serif' by Linotype, 'Amasis' and 'Amasis eText' by Monotype, 'Felice' by Nootype, 'Quercus 10' by Storm Type Foundry, and 'Abril' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, editorial, packaging, signage, vintage, collegiate, confident, rugged, display impact, heritage tone, print robustness, headline clarity, bracketed, sturdy, compact, ink-trap-like, ball terminals.
A sturdy slab-serif with bracketed, blocky serifs and a compact, even texture. Strokes show noticeable contrast, with heavy verticals and slightly finer joins and curves, producing strong letterforms without feeling overly rigid. Counters are relatively tight and the overall proportions read as slightly condensed, especially in the capitals, while lowercase maintains a steady rhythm and a workmanlike silhouette. Details like the single-storey “a,” ball-like terminals (notably in “j”), and firm slab feet contribute to a robust, print-forward presence.
Best suited to headlines, subheads, and short blocks of copy where a strong typographic color is desired. It works well for editorial display, posters, labels and packaging, and signage that benefits from sturdy slabs and compact spacing. In longer text, it will likely perform best at comfortable sizes with adequate leading due to its dense counters and dark overall tone.
The font conveys a vintage, editorial tone with a confident, no-nonsense voice. Its hefty slabs and compact shapes suggest traditional publishing and heritage branding, while the crisp contrast adds a touch of formality and authority. Overall it feels grounded, assertive, and slightly nostalgic.
The design appears intended to deliver a bold, traditional slab-serif voice that remains legible and authoritative in display contexts. It balances sturdy, bracketed slabs with controlled contrast to achieve a classic print aesthetic that feels both utilitarian and editorial.
The italics are not shown; all samples read as upright romans. Numerals are bold and compact, suited to headline settings, and the alphabet shows consistent slab treatment across caps and lowercase for a cohesive, poster-ready color.