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Free for Commercial Use

Sans Normal Nuben 8 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Sans Atwic Modern' by Caron twice; 'Ardena' by Fincker Font Cuisine; and 'Avenir Next Arabic', 'Avenir Next Cyrillic', 'Avenir Next Georgian', 'Avenir Next Hebrew', 'Avenir Next Thai', and 'Avenir Next World' by Linotype (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, confident, friendly, modern, punchy, clean, impact, clarity, approachability, modernity, simplicity, rounded, blocky, geometric, compact, high impact.


Free for commercial use
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A heavy, geometric sans with broad proportions and rounded, circular counters. Strokes are consistently thick with minimal modulation, and terminals are clean and blunt, giving the letters a solid, blocky presence. Curves are smooth and near-circular (notably in C, O, Q, and lowercase o), while joins stay crisp, producing a straightforward rhythm that holds up well at large sizes. Numerals are equally weighty and simple, matching the letterforms’ sturdy proportions and tight, poster-ready silhouette.

Best suited for headlines, short statements, and display typography where maximum impact and clear silhouettes are needed. The weight and broad shapes make it effective for logos, packaging, wayfinding, and large-format graphics, especially in high-contrast layouts. It can also work for short UI labels or calls to action when a strong, friendly emphasis is desired.

The overall tone is bold and approachable: assertive enough for attention-grabbing headlines, but softened by rounded forms that keep it friendly rather than aggressive. It reads as contemporary and utilitarian, with a no-nonsense clarity that feels familiar in branding and signage contexts.

The design appears intended to deliver a straightforward, contemporary display voice: high-impact shapes with rounded geometry for approachability, and consistent stroke weight for crisp reproduction across print and digital uses.

Counters and apertures trend toward the smaller side due to the heavy strokes, which increases visual density and makes the font feel compact and emphatic. The lowercase forms are sturdy and simplified, maintaining an even texture in blocks of text, while punctuation (like the colon) appears large and highly visible relative to the letter weight.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸