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Free for Commercial Use

Sans Normal Lomoz 12 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'AG Royal' by Berthold, 'Gouble' by Creatifont Studio, 'Alderamind' and 'Normaliq' by Differentialtype, 'Gotham' by Hoefler & Co., 'JHC Sineas' by Jehoo Creative, 'Point Panther' by Sarid Ezra, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, punchy, energetic, assertive, modern, impact, motion, modernity, emphasis, promotion, slanted, geometric, rounded, compact, solid.


Free for commercial use
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A heavy, slanted sans with broad, rounded curves and sturdy straight strokes. The letterforms are built from simple geometric shapes with smooth joins, producing an even, low-modulation texture. Counters are relatively tight for the weight, and terminals tend to be clean and blunt rather than tapered. The overall rhythm is compact and forward-leaning, with consistent proportions across caps, lowercase, and numerals for a cohesive, high-impact look.

Well suited to big, attention-grabbing settings such as headlines, posters, event graphics, and brand marks where a bold, kinetic voice is desired. It also works well for sports and fitness communications, packaging fronts, and promotional banners where short phrases and numbers need to read with force and speed.

The tone is energetic and athletic, with a strong sense of motion created by the consistent slant and dense color on the page. It feels confident and promotional—more about impact and momentum than neutrality—while staying clean and contemporary.

The design appears intended to deliver maximum impact with a clean, geometric sans structure and a built-in sense of forward motion. Its simplified, rounded construction prioritizes visual consistency and strong silhouette recognition for display-driven typography.

The font maintains strong clarity at display sizes thanks to its simplified shapes and consistent stroke behavior, while the tight counters and heavy mass suggest it will be most effective when given adequate tracking and line spacing. Numerals share the same rounded, robust construction, supporting a unified typographic voice in headings and short callouts.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
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13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸