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Free for Commercial Use

Sans Normal Loril 2 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Jarvis' by Alan Smithee Studio, 'AG Royal' by Berthold, 'Galvani' by Hoftype, 'Gosent' by NamelaType, 'Point Panther' by Sarid Ezra, 'Scatio' by Wahyu and Sani Co., and 'Eastman Grotesque' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, energetic, modern, assertive, friendly, impact, motion, display, emphasis, oblique, geometric, rounded, blocky, compact.


Free for commercial use
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A heavy, oblique sans with broad proportions and smooth, geometric curves. Strokes are consistently thick with minimal contrast, producing dense, high-impact silhouettes and open, uncomplicated counters. Terminals are clean and largely squared-off, while rounded letters (like O and C) keep a soft, circular construction; diagonals and joins appear sturdy and slightly compressed by the slant. The overall rhythm is punchy and compact, with numerals and caps matching the same bold, simplified structure for strong uniformity.

Best suited for headlines, logos, posters, and branding where strong presence and momentum matter. It can work well on packaging and apparel-style graphics, as well as short UI labels or callouts where a compact, high-contrast-against-background wordmark is desired. For longer passages, it’s more effective as an accent than as primary text.

The font projects speed and confidence, with a forward-leaning stance that feels athletic and promotional. Its rounded geometry keeps the tone approachable rather than aggressive, balancing power with friendliness. The result is contemporary and attention-grabbing—well suited to messages that need to feel active and bold.

The design appears intended to deliver maximum visual impact with a modern, geometric voice, using a pronounced slant and broad shapes to suggest motion. It prioritizes bold clarity and brand-forward consistency across caps, lowercase, and figures.

In the sample text, the dense weight and slant create a strong typographic “block” that reads best with generous spacing and larger sizes. Round forms stay stable and clear, while tighter interior spaces in some letters can fill in visually at smaller sizes due to the thickness.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
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10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸