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Free for Commercial Use

Sans Superellipse Olduw 4 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Motel Xenia' by Fenotype, 'Ozonos' by Kufic Studio, 'Neue Helvetica' by Linotype, and 'Brown Pro' by Shinntype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, playful, punchy, retro, approachable, headline, impact, friendliness, compactness, retro display, logo feel, rounded, compact, chunky, soft corners, posterlike.


Free for commercial use
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A compact, heavy sans with rounded-rectangle construction and softened corners throughout. Strokes are consistently thick with minimal modulation, and many joins terminate in subtly blunted, squared-off ends rather than sharp points. Counters are tight and often vertically oriented, giving letters a condensed, upright rhythm; round characters like O and C read as squarish superellipses. Lowercase forms are simple and sturdy, with a single-storey a and g and short, sturdy extenders that keep the texture dense and even. Numerals follow the same blocky, rounded logic for a cohesive, sign-ready set.

This font suits headlines, posters, and short statements where a dense, high-impact silhouette is desired. It also works well for branding, packaging, and signage that benefits from a friendly, retro-leaning block sans with rounded forms. For longer reading, it is better used in larger sizes or with generous spacing to keep the tight counters clear.

The overall tone is bold and friendly, leaning toward a vintage display feel rather than a neutral text voice. Its rounded squareness and dense color create an energetic, slightly quirky character that reads as confident and approachable.

The design appears intended to deliver maximum visual weight in a compact footprint while keeping the feel warm through rounded-square geometry. It prioritizes bold presence, quick recognition, and a distinctive display texture suitable for contemporary and vintage-inspired graphic applications.

The design maintains a strong vertical emphasis and a tight internal spacing impression, which helps it hold together at large sizes but makes the counters feel intentionally snug. The squarish curves and consistent rounding give it a distinctive, logo-like signature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸