Sans Other Kedil 6 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Agrea Sans' by Koray Özbey (names referenced only for comparison).
Keywords: display, posters, packaging, children’s, headlines, playful, hand-drawn, quirky, friendly, casual, handmade feel, approachability, whimsy, personality, wobbly, organic, bouncy, informal, idiosyncratic.
A lively, irregular sans with subtly wobbled strokes and gently uneven contours that suggest hand-cut or marker-drawn construction. Forms are mostly monolinear with modest contrast created by tapered joins and slightly pinched terminals rather than strict geometry. Uppercase letters lean toward compact, slightly condensed proportions with softened corners, while the lowercase shows more variety in width and rhythm, including loopier bowls and asymmetrical curves. Numerals follow the same relaxed logic, with open shapes and occasional angular cuts that keep the texture animated in text.
Best suited to short display settings where its animated texture can be a feature: posters, event graphics, packaging, labels, book covers, and playful editorial headlines. It can also work for brief UI accents or pull quotes, but extended small-size text may feel busy due to the intentionally irregular outlines.
The overall tone is upbeat and approachable, with a whimsical, homemade character that feels more human than mechanical. Its uneven rhythm and slightly eccentric details give it a humorous, crafty personality without becoming chaotic.
The design appears intended to deliver an informal, handcrafted voice—capturing the spontaneity of hand lettering while staying legible and broadly sans in structure. Its controlled irregularity suggests a goal of warmth and personality over precision.
Across the alphabet, stroke endings frequently resolve into small wedges or blunted points, and curves often overshoot or flatten in ways that create a bouncy baseline and lively word shapes. The mix of angular breaks and rounded bowls adds a distinctive, slightly “cut-paper” feel, especially noticeable in capitals and diagonals.