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Free for Commercial Use

Sans Normal Odkod 6 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'BR Firma' and 'BR Segma' by Brink, 'Heavitas Neue' by Graphite, 'Gilmer' by Piotr Łapa, and 'Neue Campton' by René Bieder (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, modern, approachable, impact, approachability, modern clarity, brand voice, rounded, chunky, compact apertures, blunt terminals, soft corners.


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A heavy, rounded sans with broad proportions and generous internal volumes. Strokes are consistently thick with smooth curves and blunt, squared-off terminals, giving letters a sturdy, monolithic presence. Counters are mostly open and circular/oval, while apertures tend to be compact, creating a dense, graphic rhythm at text sizes. The lowercase shows single-storey forms (notably a and g) with simple, geometric construction and short, blocky details such as the t’s crossbar and the squared i/j dots. Numerals are similarly weighty and rounded, with clear silhouettes and stable, even spacing.

Best suited for headlines, posters, branding systems, packaging, and short punchy copy where a bold, friendly voice is needed. It also works well for signage and UI moments that call for strong emphasis, especially at medium to large sizes.

The overall tone is upbeat and approachable, combining a friendly softness with confident impact. Its rounded geometry reads contemporary and slightly playful, suited to designs that want warmth without becoming informal or handwritten.

The design appears intended to deliver maximum visual impact with a warm, rounded personality, using geometric, simplified letterforms that stay legible and consistent in bold display settings.

The typeface maintains a consistent, cohesive texture across mixed-case settings, with strong headline presence and clear character differentiation (e.g., O vs 0, and sturdy diagonals in K, V, W, X). The dense weight and compact openings can make long passages feel dark, but it performs well where boldness and immediacy are desired.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸