Sans Superellipse Feluj 5 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'AG Book W1G' by Berthold, 'Brinova' by Digitype Studio, 'FS Industrie' by Fontsmith, 'Ordina' by Schriftlabor, 'Kommon Grotesk' by TypeK, 'Tablet Gothic' by TypeTogether, and 'Breuer Condensed' by TypeTrust (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, sporty, urgent, confident, modern, punchy, space saving, high impact, display clarity, modern utility, compressed, slanted, rounded, sturdy, compact.
A compact, forward-leaning sans with thick, uniform strokes and tightly controlled counters. Forms are built from rounded-rectangle geometry: corners are softened, bowls are squarish-oval, and joins stay clean and uncomplicated. The overall rhythm is dense and vertical, with short apertures and minimal interior space that create a strong, blocky silhouette. Numerals and caps share the same sturdy, streamlined construction, keeping a consistent, high-impact texture across lines.
Well-suited for headlines, posters, and short display copy where strong emphasis and speed are desired. It can work effectively in branding and packaging that needs a condensed, modern voice, and it naturally complements sports and performance-oriented graphics. For long passages or small sizes, the heavy texture suggests using generous tracking and leading to preserve clarity.
The tone is assertive and energetic, with a fast, directional feel driven by the italic slant and condensed proportions. Its rounded, muscular shapes read as contemporary and functional rather than delicate, projecting confidence and momentum. The overall impression is sporty and headline-forward, designed to grab attention quickly.
The design appears intended as a high-impact, space-efficient display sans that maintains a friendly roundness while staying forceful and direct. Its squarish curves and simplified shapes prioritize consistency and strong word silhouettes, supporting quick recognition in bold typographic layouts.
Round letters like O/C/G lean toward squared bowls, while diagonals and terminals are clipped and simplified to maintain a compact profile. The dense color and tight counters favor impact at larger sizes over airy, texty nuance.