Font Hero

Free for Commercial Use

Sans Normal Kemos 5 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Myriad' by Adobe and 'Belle Sans' by Park Street Studio (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, confident, retro, impact, speed, compactness, promotion, condensed, forward-leaning, chunky, tight tracking.


Free for commercial use
Customize the font name

A compact, forward-leaning sans with heavy, even stroke weight and tightly drawn proportions. Letterforms are built from simple, rounded geometry with brisk, slightly squared terminals and minimal modulation, creating a dense, high-impact texture. The slant and narrow set emphasize verticality, while counters stay relatively open for the weight, keeping forms like C, G, S, and e readable. Numerals match the same sturdy construction and rhythm, with a straightforward, utilitarian silhouette.

Best suited to short, high-visibility settings such as headlines, posters, brand marks, and promotional copy where a condensed, forceful italic voice helps create momentum. It can also work for packaging and sports or automotive-themed graphics, especially when space is limited and strong typographic color is desired.

The overall tone is energetic and assertive, with a fast, motion-driven feel that reads as sporty and promotional. Its bold, condensed presence suggests urgency and confidence, leaning toward a modernized retro display voice rather than a quiet text companion.

The design appears intended to deliver maximum impact in a compact footprint, pairing a heavy sans structure with an italic slant to convey speed and emphasis. The consistent, low-modulation strokes and rounded geometric shapes prioritize bold clarity and a cohesive display rhythm.

Capitals maintain a consistent width and strong baseline presence, and the lowercase keeps a sturdy, compact stance with a clean single-storey a and a relatively closed e. Diacritics are not shown; punctuation is visible in the sample and follows the same heavy, no-nonsense construction.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸