Sans Faceted Asva 11 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Memesique' by Egor Stremousov, 'Muller Next' by Fontfabric, 'Nasional Sans' by Jetsmax Studio, 'RBNo2.1' by René Bieder, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, athletic, commanding, retro, mechanical, impact, ruggedness, geometric voice, display branding, machined look, angular, faceted, octagonal, blocky, condensed.
This typeface is built from hard, planar facets that replace curves with clipped corners, producing an octagonal, machined silhouette across round letters and bowls. Strokes are uniformly heavy with blunt terminals and crisp joins, yielding a dense, poster-like color. Counters are compact and often rectangular or chamfered, and the overall construction favors straight verticals and strong diagonals over any rounded modeling. Uppercase forms read as sturdy blocks, while the lowercase echoes the same faceted geometry with simplified, sturdy bowls and short apertures; figures follow the same clipped, angular logic for a cohesive set.
Best suited to headlines and short-form display settings where its dense weight and angular construction can deliver immediate impact—posters, sports and team identities, labels/packaging, and bold signage. It can also work for punchy UI moments like badges or section headers when used sparingly and with generous spacing.
The overall tone is forceful and utilitarian, with a distinctly industrial and athletic flavor—like lettering cut from metal or stenciled for equipment. The sharp chamfers and compact counters add a slightly retro, arcade/scoreboard energy while staying clean and modern in execution.
The design appears intended to deliver a tough, geometric voice through a system of consistent chamfers, creating a rugged display sans that feels engineered rather than written. Its emphasis on solid mass and clipped corners suggests a focus on high-impact branding and titling rather than extended reading.
The faceting is applied consistently, creating a recognizable rhythm of repeated chamfer angles at corners and inner counters. Because the interiors are tight and the shapes are heavily filled, the design projects best when given enough size and breathing room so the angular counters stay clear.