Sans Superellipse Ogdov 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Due' by Cadson Demak; 'Prelo Pro' by Monotype; 'Objet' by Pascal Tarris; 'Core Gothic N', 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core; and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, ui labels, technical, sturdy, friendly, modern, utilitarian, impact, clarity, modernity, uniformity, tech tone, rounded, blocky, squared, compact, geometric.
This typeface uses a geometric, rounded-rectangle construction with broadly squared curves and softened corners throughout. Strokes are heavy and even, with minimal modulation and a compact, stable stance; apertures are relatively closed and counters trend toward squarish superellipse shapes. Terminals are mostly flat and clean, with consistent rounding at joins, giving the forms a machined, uniform rhythm. Uppercase is wide and solid, while the lowercase maintains a straightforward, near-monoline structure with short extenders and simplified detailing.
Well suited to headlines, posters, and branding where a strong, compact sans voice is needed. The simplified shapes and squared-round geometry also fit UI labels, product packaging, and wayfinding applications, especially where a modern, technical feel is desirable.
The overall tone is practical and contemporary, mixing a slightly industrial stiffness with approachable rounded edges. It feels confident and no-nonsense, but not sharp or aggressive, making it read as friendly-tech rather than purely corporate.
The design appears intended to deliver a high-impact geometric sans with rounded-rectangle letterforms that stay crisp and consistent across a full alphanumeric set. Its emphasis on uniform stroke weight, softened corners, and compact counters suggests an aim toward sturdy legibility and a distinctive, tech-leaning silhouette in display contexts.
Round letters like O and Q read as squarish with smooth radii, reinforcing a superelliptical theme across the set. The numerals are similarly blocky and robust, designed for clarity at display sizes, and the tight interior spaces suggest it will look best when given adequate size and breathing room.