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Sans Normal Komes 5 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype; 'Interval Next' and 'Metronic Pro' by Mostardesign; 'Belle Sans' by Park Street Studio; 'Robusta' by Tilde; 'Marble' by URW Type Foundry; and 'Ranelte' by insigne (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, display graphics, sporty, assertive, modern, dynamic, forward-leaning, motion emphasis, strong impact, modern utility, headline clarity, oblique, rounded, clean, compact, sturdy.


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This is a heavy, oblique sans with rounded construction and smooth, low-contrast strokes. Letterforms lean consistently forward, with firm vertical stems, broad curves, and largely closed counters that keep the silhouette dense and punchy. Terminals are clean and mostly blunt, while joins and bowls stay softly rounded, giving the shapes a friendly but forceful presence. Spacing appears fairly tight in running text, and the overall rhythm is driven by compact proportions and strong diagonal emphasis.

It performs best in high-impact applications such as headlines, posters, and promotional graphics where the dense stroke weight and oblique motion can carry the layout. It also suits sports or active branding, packaging callouts, and short, emphatic UI labels when used with adequate spacing.

The overall tone feels energetic and purposeful, with a sporty, headline-ready attitude. Its forward slant and solid color make it read as confident and urgent, while the rounded geometry keeps it approachable rather than severe.

The design appears intended to deliver a modern, high-energy sans that combines strong mass with a clear forward slant for motion and emphasis. Its rounded geometry and restrained detailing suggest a focus on bold legibility and a friendly, contemporary voice in display settings.

Uppercase forms are straightforward and geometric, with an open, clear “C” and a rounded “O” that reads as nearly circular; the “Q” features a short, angled tail. Numerals share the same oblique stance and heavy, rounded modeling, producing a cohesive set for display use. In the text sample, the weight and slant create strong word shapes and high impact, though the tight texture suggests careful tracking may help at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸