Sans Superellipse Kybuy 10 is a very bold, very wide, medium contrast, upright, normal x-height font.
Keywords: headlines, logotypes, posters, packaging, sports branding, futuristic, tech, industrial, sporty, arcade, impact, modernity, tech branding, display strength, modularity, squarish, rounded corners, chamfered, blocky, geometric.
A heavy, geometric sans with squarish proportions and prominently rounded-rectangle construction throughout. Curves resolve into soft corners rather than true circles, and many joins are simplified into clean chamfers, giving letters a machined, modular feel. Counters tend to be rectangular with rounded corners, while terminals are flat and broad, producing a dense, even texture in setting. The rhythm is steady and emphatic, with wide forms, compact inner space, and consistent stroke behavior that favors horizontal and vertical structure over calligraphic nuance.
Best suited for short, high-impact text such as headlines, branding, product marks, and promotional graphics where its broad, squared forms can dominate. It also fits UI-style titling, tech/event materials, and sports or automotive-inspired design systems that benefit from a robust, machined look.
The overall tone is assertive and engineered, with a distinctly contemporary, tech-forward character. Its squared silhouettes and softened corners evoke interfaces, hardware markings, and late-20th/early-21st-century sci‑fi and gaming aesthetics. The weight and width add a confident, loud presence suited to attention-grabbing display use.
The design appears intended to deliver a bold, futuristic display voice built from rounded-rectangle geometry, maximizing presence and consistency across letters and numerals. Its simplified, modular construction prioritizes strong silhouettes and a cohesive, industrial rhythm over subtle detail, aiming for immediate recognizability at large sizes.
Distinctive superelliptical counters show strongly in B, O, Q, and 8, and the diagonal-driven letters (A, K, V, W, X, Y) use sharp, clean angles that contrast with the rounded-rectangle curves. The lowercase maintains the same blocky construction and reads more like a compact, engineered companion to the caps than a humanist counterpart.