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Free for Commercial Use

Sans Superellipse Hinim 8 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Belle Sans' by Park Street Studio, 'Performa' by Resistenza, 'LFT Etica' by TypeTogether, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, impactful, confident, industrial, sporty, utilitarian, space-saving, high impact, robust display, signage clarity, brand punch, condensed, blocky, square-shouldered, rounded corners, sturdy.


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A condensed, heavy sans with block-like proportions and subtly rounded corners that give the forms a superelliptical, rounded-rectangle feel. Strokes are uniform and dense, with minimal modulation and tight internal counters, creating a compact texture in words. Curves on C/O/Q and the bowls of B/P/R are controlled and squared-off rather than fully geometric, while joins and terminals stay clean and abrupt. The lowercase is simple and functional, with single-storey a and g, a compact ear on r, and a tall, straight t; numerals follow the same sturdy, compressed rhythm.

Best suited to short, high-impact settings such as headlines, posters, packaging fronts, and wayfinding or label-style signage where dense, compact words are an advantage. It can also serve as a bold branding companion for logos or badges, especially when space is limited and strong typographic presence is needed.

The overall tone is assertive and no-nonsense, prioritizing punch and clarity over refinement. Its compact, muscular shapes suggest contemporary signage, sports or team branding, and workmanlike industrial labeling—confident, blunt, and direct.

The design appears intended to deliver maximum visual impact in a compressed footprint, combining sturdy, uniform strokes with softened corners to keep the mass approachable. Its consistent, squared-round construction suggests a focus on robustness and reproducible shapes for bold display typography.

Spacing reads intentionally tight for density, and the large, rectangular counters in letters like E/F and the narrow apertures in S and a contribute to a strong, poster-like color. Round punctuation (dots, colon) appears weighty and prominent, matching the font’s emphatic voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸