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Free for Commercial Use

Sans Normal Subat 2 is a regular weight, wide, medium contrast, upright, normal x-height font visually similar to 'Beatrice Deck', 'Beatrice Display', and 'Beatrice Headline' by Monotype and 'Gella Display' by Slava Antipov (names referenced only for comparison).

Keywords: branding, ui text, headlines, editorial, signage, modern, clean, neutral, friendly, corporate, clarity, modernization, versatility, approachability, rounded, geometric, open counters, low stroke contrast, even rhythm.


Free for commercial use
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A rounded, geometric sans with smooth, circular bowls and largely uniform stroke thickness. Terminals are clean and straightforward, with minimal modulation and crisp joins that keep the texture even in text. The uppercase shows broad, stable proportions with generous internal space (notably in C, O, and G), while the lowercase uses single-storey forms for a and g and maintains open apertures that support clarity. Numerals are similarly geometric, with a simple, readable 1 and rounded 0/8/9 forms that match the typeface’s circular construction.

This font works well for brand identities and marketing where a modern, friendly sans is needed, and it also suits UI labels and product typography thanks to its open counters and steady rhythm. Its clean geometry makes it effective for headlines and short editorial passages, and it should remain legible for signage and wayfinding where simple forms are advantageous.

The overall tone is contemporary and approachable, balancing a rational, engineered feel with soft, rounded curves. It reads as confident and practical rather than expressive, giving it a calm, professional voice suited to everyday communication.

The design appears intended as a contemporary, geometry-led sans that prioritizes clarity and consistency while maintaining a welcoming softness through rounded construction. Its restrained detailing suggests a versatile workhorse aimed at broad, modern usage rather than a niche or highly stylized display role.

Round letters lean strongly toward true circles, creating a cohesive, “drawn from circles” logic across both cases. The sample text shows consistent spacing and a smooth color at display sizes, with slightly more personality appearing in distinctive shapes like the Q tail and the single-storey lowercase forms.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸