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Slab Contrasted Ulni 1 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Classic Round' and 'Classic XtraRound' by Durotype; 'Amasis', 'Amasis eText', 'Eponymous', and 'Polyphonic' by Monotype; and 'Pratt Nova' by Shinntype (names referenced only for comparison).

Keywords: headlines, editorial, posters, book covers, packaging, vintage, confident, sturdy, american, print heritage, strong presence, warm sturdiness, editorial utility, slab serifs, bracketed serifs, ball terminals, ink traps, teardrop joins.


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A robust slab-serif with generously bracketed serifs, heavy stems, and softly rounded transitions that keep the forms from feeling rigid. Strokes show a clear but not extreme contrast, with strong verticals and slightly lighter connecting strokes, creating a steady, readable rhythm. Counters are compact and apertures tend toward the closed side, giving the texture a dark, authoritative color in paragraphs. Details like ball terminals (notably on lowercase forms), teardrop-like joins, and subtly scooped intersections add a faint printed/inked character without becoming distressed.

Well suited to headlines, subheads, and pull quotes where a solid slab-serif voice is needed. It can also work for editorial branding, book jackets, and packaging that benefits from a classic, sturdy tone and strong typographic color. For longer passages, it will perform best with comfortable size and spacing to offset its dense texture.

The overall tone feels editorial and traditional, with a vintage, workmanlike confidence. It reads as trustworthy and established—more newspaper and bookish than tech-forward—while the rounded detailing keeps it approachable rather than severe.

The design appears intended to deliver a traditional slab-serif voice with strong impact and dependable readability, enhanced by rounded, ink-friendly detailing that suggests print heritage. It balances firmness and warmth, aiming for a classic editorial presence rather than a strictly geometric or ultra-modern feel.

At display sizes the sculpted joins and terminals become a defining feature, contributing to a slightly nostalgic, letterpress-adjacent flavor. In dense settings the dark color and tighter internal space create strong emphasis and presence, especially in headlines and short blocks of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸