Sans Superellipse Ogguw 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Evanston Tavern' by Kimmy Design, 'Beachwood' by Swell Type, and 'Matricule 59' by designdefontes (names referenced only for comparison).
Keywords: posters, headlines, signage, logos, sports branding, industrial, athletic, retro, assertive, mechanical, impact, compactness, brand presence, geometric consistency, blocky, rounded, condensed, squared, compact.
A compact, heavy sans with rounded-rectangle construction and blunt terminals. Curves are built from broad superelliptical bowls, giving letters like O, C, and D a squared-off roundness rather than circular geometry. Strokes maintain an even thickness with tight counters and short apertures, producing a dense, poster-like texture. Uppercase proportions are tall and narrow, while lowercase forms stay sturdy and simplified; details such as the small i/j dots and the one-storey a add to the utilitarian, engineered feel. Numerals follow the same squared, softened structure with sturdy, stacked shapes and minimal internal space.
Best suited for large-scale display work where dense, compact letterforms can deliver maximum impact—posters, headlines, packaging callouts, and bold UI labels. It also works well for branding that wants an industrial or athletic voice, especially in short phrases, badges, and signage where the squared-round forms stay legible at a distance.
The tone is strong and no-nonsense, with a sporty, industrial character. Its softened corners keep it approachable, but the compact width and dark mass read as confident and attention-grabbing. The overall feel evokes stenciled signage and bold display titling rather than delicate text typography.
The font appears designed to deliver high-impact display typography using a consistent rounded-rectangle geometry. It prioritizes solidity, compactness, and uniform stroke weight to create a strong typographic color and a distinctly engineered, sign-like presence.
The design’s tight spacing and small counters create a solid color on the page, especially in longer lines. Roundness is consistently expressed as rounded corners on rectangular forms, which helps the set feel cohesive and mechanical. The punctuation shown (colon, apostrophe) is simple and sturdy, matching the weight and squareness of the alphabet.