Sans Superellipse Firiz 2 is a bold, very wide, low contrast, italic, normal x-height font visually similar to 'TT Autonomous' by TypeType (names referenced only for comparison).
Keywords: sports branding, headlines, posters, gaming ui, product packaging, sporty, futuristic, dynamic, techy, confident, speed emphasis, modern branding, display impact, industrial tone, rounded corners, oblique stress, extended, square-round, tightly tracked.
A heavy, forward-leaning sans with extended proportions and a squared-off, superellipse construction. Curves resolve into rounded-rectangle bowls and counters, while terminals are blunt and clean, giving the glyphs a machined, aerodynamic feel. Strokes stay largely uniform, with crisp joins and angular cut-ins that emphasize motion; round letters like O/Q are more squarish than circular, and the overall rhythm is broad and assertive.
Best suited to large display sizes where its wide, slanted forms and squared-round geometry can project impact—such as sports identities, esports or gaming interfaces, event posters, and bold product marks. It can also work for short subheads or labels when you want a fast, high-performance tone, but its heavy color and width make it less ideal for dense body text.
The tone is energetic and contemporary, with a speed-and-performance character reminiscent of racing graphics and tech-forward branding. Its oblique stance and wide footprint convey momentum and confidence, reading as modern, engineered, and slightly aggressive without becoming decorative.
The design appears intended to blend a clean sans foundation with a streamlined, speed-oriented stance, using rounded-rectangle construction to suggest modern industrial design. Its consistent stroke weight and broad proportions prioritize punchy legibility and a distinctive, performance-driven silhouette.
Uppercase forms are especially compact in their internal counters due to the wide stance and thick strokes, while lowercase maintains clear silhouettes and a practical, signage-like simplicity. Numerals follow the same squared-round logic and slanted posture, keeping the set visually cohesive in mixed alphanumeric settings.