Sans Superellipse Ukbas 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Military Jr34' by Casloop Studio, and 'B52' by Komet & Flicker (names referenced only for comparison).
Keywords: headlines, logos, ui labels, posters, signage, tech, industrial, futuristic, utilitarian, assertive, modern branding, systematic design, tech aesthetic, impactful display, squared, rounded corners, geometric, compact, high contrast (shape).
A geometric sans built from rounded-rectangle (superelliptic) forms with even, monoline stroke weight and tight, efficient shapes. Corners are consistently softened, while terminals tend to be flat and squared-off, creating a sturdy, engineered silhouette. Counters are boxy and compact, with minimal curvature in bowls and a generally horizontal/vertical construction that keeps the rhythm clean and modular. Proportions skew slightly condensed in many letters, and the overall color on the page is dense and uniform, supporting strong legibility at display and headline sizes.
Works especially well for headlines, logos, and short-form messaging where its compact, geometric forms can read as bold and modern. It also suits UI labels, dashboards, and wayfinding-style signage that benefits from a sturdy, high-contrast silhouette and consistent modular rhythm.
The font projects a contemporary, tech-forward tone with an industrial, machine-made feel. Its rounded-square geometry reads as modern and controlled rather than friendly, giving it a confident, utilitarian voice suited to systems, interfaces, and product-forward branding.
Likely designed to deliver a strong, contemporary sans with a rounded-square geometry that feels engineered and systematic. The emphasis appears to be on visual consistency, compact spacing, and a distinctive superelliptic identity that remains clear in both uppercase and lowercase settings.
Distinctive rounded-square bowls in letters like O, D, P, and Q reinforce a consistent superelliptic theme across both cases and numerals. Diagonals (A, V, W, X, Y) are crisp and straight, contrasting with the softened outer corners elsewhere. Numerals follow the same boxy construction, maintaining a cohesive, modular texture in mixed alphanumeric settings.