Sans Superellipse Utgeh 15 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Midnight Sans' by Colophon Foundry (names referenced only for comparison).
Keywords: headlines, branding, logotypes, ui, posters, futuristic, tech, geometric, sleek, clean, tech styling, geometric system, modern branding, interface clarity, rounded corners, superelliptic, rectilinear, monoline, modular.
A geometric sans built from rounded-rectangle (superellipse-like) forms, with squared proportions softened by generous corner radii. Strokes are monoline and consistent, producing clean, even texture in text. Curves tend to flatten into straight segments—especially in bowls and counters—creating a rectilinear rhythm rather than purely circular geometry. Terminals are crisp and often horizontally or vertically cut, and the overall construction feels modular and engineered, with compact apertures and stable, centered counters.
Best suited to headlines, display copy, and brand marks where its superelliptic geometry can read clearly and set a modern tone. It also works well for UI labels and product/tech marketing because the monoline construction and squared-round shapes stay legible and consistent at a range of sizes.
The font reads as contemporary and technology-forward, with a polished, industrial feel. Its softened corners keep the tone approachable while the squared geometry adds a confident, machine-made character. Overall it suggests modern interfaces, sci‑fi minimalism, and streamlined product aesthetics rather than editorial warmth.
The design appears intended to translate rounded-rectangle geometry into a cohesive alphabet that feels modern and engineered. By emphasizing flattened curves, crisp terminals, and consistent stroke weight, it aims to deliver a distinctive tech aesthetic while keeping forms straightforward and highly repeatable across glyphs.
Round characters like O, Q, and 0 share a consistent rounded-rect outline, reinforcing a cohesive system across letters and numerals. The lowercase shows single-storey forms (notably a) and simple, sturdy joins; diagonals (V/W/X/Y) are clean and sharp, adding energy against the otherwise horizontal/vertical bias.