Sans Superellipse Fenor 11 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Sansmatica' by Fontop, 'PODIUM Sharp' by Machalski, 'Direct Mail' by Partnrz, and 'TT Bluescreens' by TypeType (names referenced only for comparison).
Keywords: headlines, posters, sports branding, apparel graphics, packaging, urgent, sporty, loud, industrial, action, space saving, high impact, motion cue, display emphasis, condensed, oblique, heavy, tall, blocky.
A heavy, condensed oblique sans with tall proportions and tightly contained counters. Curves are built from rounded-rectangle (superellipse-like) geometry, giving O/C/G and the bowls of b/p/q a compact, squared-round feel. Terminals are mostly blunt and sheared with the slant, and joins stay sturdy with minimal modulation. The overall rhythm is dense and vertical, with short crossbars, narrow apertures, and strong, uniform strokes that read as solid blocks at display sizes.
Best suited to large-scale typography where impact and speed cues matter—headlines, posters, sports and event graphics, bold editorial callouts, and packaging or apparel marks. It can also work for short UI labels or navigation when space is tight, though longer text will feel dense due to the condensed width and heavy color.
The tone is assertive and high-energy, with a forward-leaning, “in motion” stance. Its compressed width and heavy mass suggest urgency and impact, leaning toward sporty, tactical, and industrial associations rather than refined or conversational ones.
The design appears aimed at delivering maximum presence in minimal horizontal space while conveying motion through an oblique stance. Its rounded-rectangle construction keeps forms sturdy and modern, prioritizing punchy legibility and a cohesive, muscular silhouette for display-led work.
Uppercase forms are particularly compact and poster-like, while lowercase maintains the same compressed, punchy structure. Numerals share the same tall, weighty construction, reinforcing a cohesive headline voice across letters and figures.