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Sans Superellipse Peneg 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Cord Nuvo' by Designova, 'Akkordeon' by Emtype Foundry, 'NATRON' by Posterizer KG, 'Entropia' by Slava Antipov, 'Lektorat' by TypeTogether, 'Herokid' by W Type Foundry, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, assertive, industrial, sporty, poster-like, utilitarian, maximize impact, save space, strong branding, clear silhouettes, condensed, blocky, rounded corners, high impact, compact.


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This typeface is a condensed, heavy sans with rounded-rectangle geometry and broadly uniform stroke weight. Curves are built from softened corners rather than true circles, producing squarish bowls and counters that read compact and sturdy. Terminals are mostly flat and blunt, with tight apertures and small internal spaces that emphasize mass at display sizes. Overall spacing is economical, and the numerals follow the same blocky, rounded-corner construction for a cohesive, forceful texture.

Best suited for short, high-impact text such as headlines, poster typography, bold labels, sports and team graphics, and punchy packaging. It also works well for simple signage where condensed width helps fit more characters into limited horizontal space while maintaining strong presence.

The overall tone is loud, direct, and workmanlike, with a slightly athletic, headline-driven energy. Its compact width and chunky forms suggest strength and urgency rather than delicacy or warmth, making it feel suited to attention-grabbing messaging.

The design appears intended to deliver maximum visual impact in a compact footprint, using rounded-rectilinear shapes to keep the forms friendly enough to avoid harshness while still reading strong and industrial. Its consistent, blocky construction prioritizes immediacy and silhouette clarity for display settings.

At smaller sizes the tight counters and closed apertures can darken the texture, while at larger sizes the rounded-square construction becomes a distinctive signature. The design maintains a consistent rhythm across uppercase, lowercase, and figures, reinforcing a unified, stamped look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸