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Sans Superellipse Upbi 5 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Microgramma EF' by Elsner+Flake; 'Eurostile LT', 'Eurostile Next', 'Eurostile Next Paneuropean', and 'Microgramma' by Linotype; and 'Bi Bi' by Naghi Naghachian (names referenced only for comparison).

Keywords: headlines, posters, logos, sports branding, packaging, techno, industrial, futuristic, sporty, assertive, impact, modernity, tech tone, brand presence, systemic geometry, squared, rounded, blocky, compact, geometric.


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A heavy, geometric sans built from squared-off, superellipse-like shapes with generously rounded corners. Strokes are uniform and dense, with large counters and apertures carved as rounded rectangles, creating a crisp, engineered feel. Terminals are mostly blunt and horizontal/vertical, while diagonals (A, K, V, W, X, Y, Z) are sharp but thick, keeping the overall texture solid and compact. The lowercase follows the same modular logic, with single-storey forms and broad, flattened curves that read cleanly at display sizes; figures echo the same rounded-rectangle construction for a cohesive alphanumeric set.

Best suited for short, high-impact settings such as headlines, poster titles, esports and athletic identities, product marks, and bold packaging. It also works well for UI/tech-themed graphics, where the squared-rounded geometry can reinforce an engineered, futuristic aesthetic.

The tone is modern and muscular—suggesting tech hardware, sci‑fi interfaces, motorsport, and industrial branding. Its wide stance and squared rounding give it a confident, utilitarian voice that feels contemporary rather than friendly or calligraphic.

The design appears intended to deliver maximum visual punch through a modular, rounded-rectilinear construction—combining the sturdiness of a block sans with the sleekness of softened corners. It aims for a contemporary, device-like character that stays legible and consistent across letters and numbers in prominent display use.

In text, the font produces a strong, dark typographic color with minimal stroke modulation and a tight, block-like rhythm. Round letters such as O/Q and digits like 0/8/9 emphasize the superellipse construction; the Q’s tail and the 1’s angled cap add a touch of motion without breaking the system. The overall effect is highly consistent and deliberately constructed, prioritizing impact and shape clarity over delicacy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸