Sans Superellipse Kera 2 is a very bold, narrow, monoline, italic, tall x-height font visually similar to 'Bricked' by Cristian Mielu, 'Midkaiser' by Konstantine Studio, 'Behover' by Martype co, and 'Prahota' by Objectype (names referenced only for comparison).
Keywords: sports branding, motorsport, headlines, posters, packaging, sporty, racing, futuristic, energetic, assertive, condensed impact, convey motion, modern branding, compact strength, condensed, rounded, oblique, blocky, slanted.
A condensed, heavy oblique sans with rounded-rectangle construction and consistently softened corners. Strokes stay largely uniform in thickness, producing a sturdy, poster-like texture with minimal contrast. Counters are tight and squarish, and many joins and terminals are smoothly radiused, giving the shapes a streamlined, engineered feel. The overall rhythm is compact and forward-leaning, with short extenders and a tall, dominant x-height that keeps lowercase forms dense and highly graphic.
Best suited to high-impact display typography: sports identities, racing or performance-themed graphics, bold editorial headlines, posters, and attention-grabbing packaging. It also works well for short UI labels or scoreboard-style numerals where a compact, forceful presence is desirable, especially at medium-to-large sizes.
The forward slant and compact, squared-off rounds create a fast, punchy tone associated with speed, competition, and modern tech. Its bold presence reads confident and loud, emphasizing impact over subtlety, while the rounded geometry keeps it from feeling harsh or overly mechanical.
The design appears intended to deliver maximum impact in a condensed footprint while projecting speed and modernity. Rounded-rectangle forms and uniform strokes suggest a goal of creating a streamlined, industrial look that remains friendly enough for branding rather than purely technical typography.
Uppercase and numerals share the same compressed proportions and rounded-corner logic, helping headlines look cohesive across mixed alphanumeric settings. The italic angle is strong enough to signal motion in display sizes, and the tight apertures/counters suggest it will look best with generous tracking when used in longer lines.