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Sans Superellipse Udbay 7 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Cream Opera' by Factory738, 'Neusa Neu' by Inhouse Type, 'Amsi Grotesk' by Stawix, 'Merchanto' by Type Juice, and 'Sugo Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, assertive, retro, dynamic, industrial, space saving, high impact, fast motion, brand voice, display emphasis, condensed, slanted, blocky, rounded, soft corners.


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A condensed, slanted sans with heavy, block-like strokes and rounded-rectangle construction. Curves are built from softened corners and superellipse-like bowls, giving counters a squarish, compact feel. Terminals are mostly blunt, with occasional angled cuts that reinforce the forward motion. The rhythm is tight and vertical, with compact apertures and sturdy joins that keep the texture dense and punchy in both caps and lowercase.

Best suited to high-impact display work such as headlines, posters, apparel, and sports or event branding where compact width and strong color are advantages. It can also work for short labels and wayfinding-style signage when set with enough size and spacing. For long text, the dense texture and tight counters make it more appropriate for brief callouts than extended reading.

The overall tone is energetic and forceful, with a familiar sports-and-signage flavor. Its forward lean and compact shapes suggest speed and urgency, while the rounded corners keep it approachable rather than harsh. The result feels retro-modern: bold, utilitarian, and made to be seen quickly.

The design appears intended to deliver maximum impact in limited horizontal space, combining a condensed stance with rounded-rectangle geometry for a distinctive, modernized athletic/signage look. The consistent heaviness and simplified detailing prioritize clarity at a glance and a strong graphic silhouette.

Round characters like O/Q and 0 lean toward rounded rectangles, and the Q uses a simple diagonal tail. Figures are wide-shouldered and sturdy, matching the letters in weight and stance. The tight interior spaces mean it benefits from generous tracking at larger sizes to keep forms from visually closing up.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸