Sans Superellipse Holah 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Orgon' and 'Orgon Plan' by Hoftype, 'Clio' by LeType, 'Diaria Sans Pro' by Mint Type, 'Dalle' by Stawix, and 'Bitner' and 'Juhl' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, assertive, playful, retro, impact, approachability, modern geometry, display emphasis, rounded, blocky, soft corners, compact, high impact.
A heavy, rounded sans with chunky strokes and consistently softened corners, giving many forms a squarish superellipse feel rather than pure circles. Curves transition into straight segments with broad radii, producing sturdy counters and a compact, poster-like texture. Terminals are blunt and clean, with minimal modulation and a generally geometric construction; diagonals (A, K, V, W, X, Y) feel stable and slightly condensed by the weight. Numerals and lowercase echo the same rounded-rectangle logic, with generous thickness in joins and simplified interior spaces for punchy readability at larger sizes.
This style performs best in headlines, posters, and display settings where its mass and rounded geometry can carry visual impact. It’s well suited to branding, packaging, and signage that aims for a friendly, confident presence, and it can add a playful emphasis in short UI labels or promotional callouts when set with ample spacing.
The overall tone is bold and approachable—confident without feeling sharp. Its rounded geometry lends a friendly, slightly playful character, while the dense silhouettes keep it energetic and attention-grabbing. The result reads as contemporary with a subtle retro signage vibe.
The design appears intended to deliver maximum impact with a softened, approachable edge—combining geometric, rounded-rectangle forms with dense stroke weight to create a distinctive, highly legible display voice.
Round letters like O, Q, and 0 lean toward squared ovals, and the large weight makes apertures and counters feel deliberately tight. Dots (i, j) and punctuation adopt the same solid, rounded treatment, reinforcing a cohesive, monolithic rhythm in text.