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Free for Commercial Use

Stencil Geba 10 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Alilato Arabic' by Alilato, 'Camphor' by Monotype, 'Infoma' by Stawix, 'Mundial Narrow' by TipoType, 'TT Norms Pro' by TypeType, and 'Paul Grotesk Stencil' by artill (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, logotypes, industrial, utilitarian, technical, modernist, stencil marking, visual impact, system labeling, graphic branding, geometric, blocky, angular, clean, high-contrast gaps.


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A heavy, geometric sans with crisp stencil breaks that carve the strokes into modular segments. Letterforms are built from straight cuts and broad curves, with squared terminals and consistent stroke weight that reads clearly at display sizes. The stencil bridges are prominent and systematically placed (notably in rounds like C/O/Q and in horizontals like E/F), creating a rhythmic pattern of gaps while maintaining sturdy silhouettes. Lowercase follows the same constructed logic, with simplified, compact shapes and strong verticals; numerals are equally blocky with deliberate breaks and an open, mechanical feel.

Best suited to headlines, posters, branding marks, and signage where the stencil construction can be read as a design feature. It works especially well for industrial, tactical, or tech-forward packaging and environmental graphics, and can add a manufactured, labeled look to short UI labels or section titles.

The overall tone is industrial and functional, evoking labeling, equipment markings, and engineered systems. Its deliberate interruptions and hard edges feel procedural and authoritative, more utilitarian than expressive, with a contemporary, technical edge.

The design appears intended to deliver a bold, easily reproducible stencil aesthetic with clean geometry and strong silhouettes. The consistent, purposeful breaks suggest a focus on practical marking-inspired visuals while keeping a modern, graphic presence for display typography.

Curves tend toward near-circular bowls with clean inner counters, and diagonals (V/W/X/Y) are sharp and stable. Spacing appears generous enough for legibility in short lines, while the strong stencil gaps add texture that becomes a defining pattern in headlines and logos.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸