Sans Other Judih 3 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Core Sans A', 'Core Sans AR', 'Core Sans N', and 'Core Sans NR' by S-Core and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, techno, stencil, modular, futuristic, industrial styling, sci-fi tone, stencil effect, geometric system, display impact, angular, faceted, chamfered, geometric, high-contrast apertures.
A geometric, monoline sans built from straight segments and sharp angles, with frequent chamfered corners and occasional intentional breaks that create a stencil-like construction. Curves are largely replaced by polygonal forms (notably in C, G, O, Q, and 0), giving bowls an octagonal feel and leaving small notches at terminals and joins. Vertical strokes read firm and even, while diagonals are crisp and mechanical; counters are generally open and angular, and the overall rhythm is tight and engineered. Numerals follow the same faceted logic, with 0 rendered as a segmented ring and figures like 2 and 3 formed from angular turns rather than smooth arcs.
Best suited to short, prominent text where the angular construction can be appreciated—headlines, posters, logotypes, packaging, and wayfinding or industrial-themed signage. It can also work for game/UI titling and tech event materials, especially where a synthetic or engineered voice is desired.
The font projects a utilitarian, machine-made tone—part industrial marking, part sci‑fi interface. Its cut-in corners and segmented bowls suggest precision, fabrication, and coded systems, lending a tactical and technical mood rather than a friendly or conversational one.
The design appears intended to reinterpret a clean sans through a modular, chamfered construction system, introducing controlled interruptions and polygonal bowls to create a distinctive, industrial-tech identity while retaining straightforward letterforms.
Distinctive breaks and notches are consistent enough to feel like a deliberate construction system, helping prevent rounded shapes from appearing soft. The style remains legible at display sizes, but the internal cuts and tight joins can become visually busy as sizes get smaller or when used in dense paragraphs.