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Free for Commercial Use

Sans Other Obdo 5 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Ramsey' by Associated Typographics, 'Bunuelo Clean Pro' by Buntype, 'Heavy Duty' by Gerald Gallo, 'First Prize' by Letterhead Studio-VG, 'Chandler Mountain' by Mega Type, and 'Fermo TRF' by TipografiaRamis (names referenced only for comparison).

Keywords: headlines, posters, logos, game ui, packaging, industrial, techno, game-like, stencil-like, assertive, display impact, tech aesthetic, industrial signage, modular construction, rectilinear, angular, blocky, compact, modular.


Free for commercial use
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A heavy, rectilinear sans built from chunky verticals and crisp horizontal cuts. Curves are minimized into faceted corners and squared counters, giving many glyphs a carved, modular feel. Terminals are predominantly flat and abrupt, with occasional diagonal chamfers that keep the silhouette from feeling purely geometric. The lowercase stays stout and upright with simplified forms (single-storey a and g), while numerals and caps share a consistent, block-constructed rhythm and tight internal apertures.

Best suited for short, prominent text where a forceful, mechanical voice is desired—headlines, posters, branding marks, and bold labels. It can also work well for game/UI titles or on-screen graphics where a rugged, constructed look helps establish a techno-industrial setting.

The overall tone is tough and mechanical, with a distinctly constructed, utilitarian attitude. Its squared geometry and cut-in details suggest a techno or industrial mood, while the compact counters and bold presence read as confident and attention-grabbing.

The design appears intended to deliver maximum impact through a modular, squared construction, trading open counters and fine detail for a strong, engineered silhouette. Its simplified, angular letterforms aim for a distinctive display presence that feels industrial and game-ready.

Counters tend to be small and often rectangular, which increases density and creates strong “ink trap”-like pockets in places, especially at joins and interior cutouts. The texture in text is dark and punchy, favoring impact over delicate nuance, and the stepped/angled joins add a subtle sense of motion and engineered precision.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸