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Free for Commercial Use

Sans Other Obdo 5 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Ramsey' by Associated Typographics, 'Bunuelo Clean Pro' by Buntype, 'Heavy Duty' by Gerald Gallo, 'First Prize' by Letterhead Studio-VG, 'Chandler Mountain' by Mega Type, and 'Fermo TRF' by TipografiaRamis (names referenced only for comparison).

Keywords: headlines, posters, logos, game ui, packaging, industrial, techno, game-like, stencil-like, assertive, display impact, tech aesthetic, industrial signage, modular construction, rectilinear, angular, blocky, compact, modular.


Free for commercial use
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A heavy, rectilinear sans built from chunky verticals and crisp horizontal cuts. Curves are minimized into faceted corners and squared counters, giving many glyphs a carved, modular feel. Terminals are predominantly flat and abrupt, with occasional diagonal chamfers that keep the silhouette from feeling purely geometric. The lowercase stays stout and upright with simplified forms (single-storey a and g), while numerals and caps share a consistent, block-constructed rhythm and tight internal apertures.

Best suited for short, prominent text where a forceful, mechanical voice is desired—headlines, posters, branding marks, and bold labels. It can also work well for game/UI titles or on-screen graphics where a rugged, constructed look helps establish a techno-industrial setting.

The overall tone is tough and mechanical, with a distinctly constructed, utilitarian attitude. Its squared geometry and cut-in details suggest a techno or industrial mood, while the compact counters and bold presence read as confident and attention-grabbing.

The design appears intended to deliver maximum impact through a modular, squared construction, trading open counters and fine detail for a strong, engineered silhouette. Its simplified, angular letterforms aim for a distinctive display presence that feels industrial and game-ready.

Counters tend to be small and often rectangular, which increases density and creates strong “ink trap”-like pockets in places, especially at joins and interior cutouts. The texture in text is dark and punchy, favoring impact over delicate nuance, and the stepped/angled joins add a subtle sense of motion and engineered precision.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸